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Six hundred and forty-one: that’s the number of other people she’s in love with. Making a movie about voice is an odd, and unexpected, move for Jonze.
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Theodore asks for her name and in two tenths of a second she analyzes a baby-name book, and christens herself Samantha.
(They’ve been separated for a year, but he can’t bring himself to sign the divorce papers.) Then again, Samantha has access to his hard drive, so she already knows everything about him.
Samantha’s disembodiment means that Theodore never has to deal with anything sticky, bloody, or wet—anything other than a pleasing, metallic surface.
At first she is jealous that she doesn’t have a body.
He whirls around for, or maybe with, her in the street. Samantha grows in intelligence and experience, and then she becomes distant. Theodore takes her to a cabin in the woods for a vacation, but she disappears into the cloud to confer with other O.